Book description
Named a Top 100 Must-Read Book of the Year by Time and a Best Book of the Year by The New Yorker Winner of the 2024 Writers' Prize for Nonfiction Shortlisted for the Inaugural Women's Prize for Nonfiction * Longlisted for the RSL Ondaatje Prize New York Times bestselling author Laura Cumming "combines first-rate art history with deeply felt memoir" (The Washington Post) in this fascinating, little-known story of the massive explosion in Holland that killed Carel Fabritius, renowned painter of The Goldfinch and A View of Delft and nearly killed Johannes Vermeer--two of the greatest artists of the 17th century. "Exquisite." --Simon Schama, The Guardian As a brilliant art critic and historian, Laura Cumming has explored the importance of art in life and can give us a perspective on the time and place in which the artist worked. Now, through the lens of one dramatic event in 17th-century Holland, Cumming "has fashioned a book that combines memoir, art criticism, and history to illuminating effect" (The New York Times Book Review). In 1654, the Thunderclap--an enormous explosion at a gunpowder store--devasted the city of Delft, killing hundreds of people, including the extraordinary painter Carel Fabritius, and injuring thousands more. Framing the story around the life of Fabritius, Cumming illuminates this extraordinary moment in art history while also writing about her own father, a painter. Like Dutch art, the story gradually links country, city, town, street, house, interior--all the way to the bird on its perch, the blue and white tile, the smallest seed in a loaf of bread. The impact of a painting and how it can enter our thoughts, influence our view and understanding of the world is the heart of this book. Cumming has brought her unique eye to her most compelling subject yet. Featuring beautiful full-color images of Dutch paintings throughout, this is "a glorious tribute to the two men who showed her the truth of the notion that paintings offer 'a land in themselves, a society, a place to be'" (The Economist).
About the Author
Laura Cumming has been the art critic of The Observer (London) since 1999. Previously, she was arts editor of The New Statesman (UK), literary editor of The Listener (UK), and deputy editor of Literary Review. She is a former columnist for The Herald (Scotland) and has contributed to the Evening Standard (London), The Guardian, L'Express, and Vogue. Her book The Vanishing Velazquez was a New York Times bestseller, a Wall Street Journal Best Book of the Year, winner of the James Tait Black Memorial Prize, and was longlisted for the Bailie Gifford Prize.
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Playing a wide variety of audio formats
Works on all devices with iOS 13 and newer
Huge amount of features for a small price
Frequent updates to add new features and improve existing ones
Advanced playback controls
Live sound processing
Changing the timbre of the reader's voice and noise reduction
Translated into more than 20 languages
If you love listening to fiction audiobooks, ListenBook has features to make the process easier.
Edit book data: title, author, cover
Use equalizer to make the sound comfortable for you
Adjust the playback speed
Enjoy dark and light app themes
Supported formats: MP3, M4B, AWB, FLAC, OGG audio files and many more (must be DRM free)
Auto-Bookmarks make it easy to find your place
AirPlay support allows redirection of audio output.
VoiceOver support
Dark mode for night owls
Convenient bookmarking system helps you mark the most important places.
Unlimited bookmarks for each audiobook
Put your own cover on the wager
Share your audiobook with friends
Lock-screen control
Customise app with extensive options
Sleep timer with shake to reset, set custom notification sounds, and a few unique options
Auto rewind depending on paused time, customize rewind times to your liking
Removing background noise from recordings made in classrooms and meetings
Changing the timbre of the reader's voice for a better listening experience