Book description
Eight years ago, there were still some broken pieces in the First Edition left to sift through, reimagine and make anew into something stronger than what they were before the breaking. Some poems after the writing felt almost like curses hanging over my head; not the intended purpose, so I tore them from the book, set them alight, and let them float away.Other broken pieces not originally in the book fused together to bend the arc more toward a hard-won healing. I have my loved ones to thank for that, especially my grown children. I am more my true self when I am with them.I am so grateful to Paul Grimsley, my publisher at Musehick Publications, who believed that this book was not only worthy of being published once, but twice. This Illustrated Second Edition feels like the more fully realized version of itself, and the challenge of illustrating it was a great meditation for me to see the work anew and live through it again. I hope these new pages add to your reading experience. Today, this book feels more like a talisman of healing for me rather than a memorial to what has been lost. I used to feel like I was inflicting this book on my readers rather than blessing them with it. Now, I can't wait to place it into your hands.A few of these works appeared in other publications. I am grateful to Fire Magazine for publishing "Jacob Wrestling", Vain for publishing "Ashes", The Good Men Project for publishing "Rage Fu Hustle" and "Damnation By Firelight" and Press 1 Quarterly for publishing both "Snoopyland" and an earlier version of "Son of Abraham."Finally, anyone who is blurbed by necessary luminaries like Jessamyn Smyth, Ilya Kaminsky and Katie Farris undoubtedly knows what it is like to be humbled by such rare and generous praise. And when Katie referred to my work as "the unmaking of a chosen son, the birth of a good man," she gave me an aspiration that will take the rest of my life to hopefully achieve.And to you, the reader: thank you for seeing me. I hope this book helps you to see yourself better after having read it. You are necessary and beautiful and more rare than you ought to be.Thank you for reading.Much love, Jim Churchill-Dicks
About the Author
Jim Churchill-Dicks is the author of the full-length poetry and prose collection Wine-Dark Mother and the Trapper's Son (Musehick Press 2016, Illustrated Second Edition 2024). He is also the founding editor of Torches n' Pitchforks online literary journal, entering its sweet sixteenth year of existence. He holds an M.F.A. in Prose and Poetry from Goddard College (2005) and teaches both High School and College Level English Literature and Writing in Central Oregon. His individual works have appeared in The Good Men Project, The Other Journal, Fire Magazine, Vain Magazine, Press 1 Quarterly and others.
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Playing a wide variety of audio formats
Works on all devices with iOS 13 and newer
Huge amount of features for a small price
Frequent updates to add new features and improve existing ones
Advanced playback controls
Live sound processing
Changing the timbre of the reader's voice and noise reduction
Translated into more than 20 languages
If you love listening to fiction audiobooks, ListenBook has features to make the process easier.
Edit book data: title, author, cover
Use equalizer to make the sound comfortable for you
Adjust the playback speed
Enjoy dark and light app themes
Supported formats: MP3, M4B, AWB, FLAC, OGG audio files and many more (must be DRM free)
Auto-Bookmarks make it easy to find your place
AirPlay support allows redirection of audio output.
VoiceOver support
Dark mode for night owls
Convenient bookmarking system helps you mark the most important places.
Unlimited bookmarks for each audiobook
Put your own cover on the wager
Share your audiobook with friends
Lock-screen control
Customise app with extensive options
Sleep timer with shake to reset, set custom notification sounds, and a few unique options
Auto rewind depending on paused time, customize rewind times to your liking
Removing background noise from recordings made in classrooms and meetings
Changing the timbre of the reader's voice for a better listening experience